Tag: Joss Whedon

The Best TV of 2010 – A Repeat Viewing Part 2

SCENE-SATIONAL

All of these selected moments made a truly lasting impression on me this past year: a show-stopping dance number directed by a personal creative hero, a shocking action sequence that takes its time building the tension before exploding, and two wonderful character-revealing comedy sequences. The shows herein are amongst my favorite currently on air, representing an eclectic taste but akin in delivering top-notch entertainment, creating some of the most indelible characters and scenes for them to play in.

And now the best pieces of a whole.

Glee Safety Dance Flash Mob, “Dream On” – A show filled with many memorable moments, this choice is probably due to my bias of all things Joss Whedon, He Who Can Do No Wrong. However, it is a wonderful sequence that not only further demonstrates Whedon’s creative acumen (cannot gush enough about his choice to cut in shots that look like clips from the inevitable viral video this flash mob will become) it was also a beautiful piece for supporting character Artie who features mostly in the background, save for the occasional need of a little R&B flavor in some songs (see “Billionaire” or “Umbrella/Singin’ in the Rain”). Kevin McHale got to show off some serious dance skill that obviously couldn’t happen due to his character’s confinement to a wheelchair, and with the episode’s dream theme we thankfully (or heartbreakingly) get to watch Artie experience his deepest wish.

Breaking Bad – Parking Lot Shoot-Out, “Ambush” – How much praise can I heap on Breaking Bad in general? Suffering from what I call the “middle child syndrome,” this AMC drama has found much critical, and award-winning, praise but seems to consistently fall in the shadow of its big brother Mad Men. Both dramas deserve equal accolades, but what Breaking Bad has over Mad Men in spades is the ability to create tense scenes where the audience too-often questions whether the characters they’ve invested so much in will be making it out of any given episode alive. And this is the crux of what I’ve decided is the best scene from a one-hour drama in 2010. The actions of anti-hero lead, Walter White, in the previous season – killing New Mexico’s leading drug kingpin – brought in two of the scariest hitmen television has ever seen, The Cousins. It seemed no one was safe when these twin cold-blooded killers were around, and this scene with Walt’s DEA brother-in-law set in their sites was literally the most breathtaking moment I’ve witnessed on TV.

Modern Family – Song for Lily, “Dance, Dance Revelation” – It’s near-impossible to single out one definitive moment of Modern Family as being the greatest. Absolutely every character is given a chance to shine with every actor stepping up and knocking a performance out of the park, making it the definition of a stellar ensemble show. Saying this I will admit to playing favorites, and it’s that favorite character who provides the majority of my enjoyment when watching. Only because his defining episode, “Fizbo,” aired in 2009 I’ve chosen this scene from late 2010 as his best, demonstrating why Cam is both the heart and funny bone of the show.

Parks & RecreationRon’s Whiskey Harp, “Sweetums” – Another show that contains the best ensemble comedy group assembled on television, Parks & Recreation came into its own during the show’s sophomore year thanks in large part to how the characters’ relationships were continually made real and interesting as each episode progressed. Again, my urge to play favorites wins out as I highlight the MVP character of the show, Ron Swanson. The dynamic between Ron’s Director of the P&R department and his Deputy Director (and show lead) Leslie Knope is second only to the stellar team of 30 Rock‘s Jack Donaghy and Liz Lemon. This sequence demonstrates Leslie’s constant need to play by the rules coming to blows with Ron’s equally constant need to maintain an upper-hand and most importantly always be right. Both go way too far to prove their points, but ultimately we see that they want to project a strong image of themselves out of their underlying respect for each other.

Yes sir, Captain Tightpants!

Nathan Fillion as Mal Reynolds on Joss Whedon's FireflyThank you, Nathan Fillion, for always keeping the Firefly/Serenity love alive. And you can still rock those tight captain’s pants.

Last night’s episode of Castle no doubt provided a massive squeal-inducing moment for Browncoats (that’s in-the-know speak meaning those with endless love for Joss Whedon’s defunct show Firefly and its feature film sequel Serenity) that tune in to the ABC series with the express interest in getting a weekly dose of Fillion. Even just a single scene of him in Captain Malcolm Reynold’s signature snug britches and duster certainly made this girl swoon and wistful for the spectacular space western that was taken from us far too soon.

Glee Just Upped Its Awesome Quotient

Geeks and Gleeks, prick up your ears: before this 2009/2010 season ends TV mastermind, and personal hero, Joss Whedon will lay his genius on phenom frosh series Glee. Whedonites, be not afraid, this does not mean he’s jumping his current ship Dollhouse (even though there are rumblings of said ship to be on the verge of sinking) he will merely be moonlighting as director for one episode of his fellow FOX show.

Those in the know, including Glee helmer Ryan Murphy, have already seen the Buffy creator exquisitely execute a musical slant to the Slayer series’ with its season six (“All singing! All talking!”) episode “Once More With Feeling,” which he directed and wrote both music and lyrics. Murphy gushed, “Joss directed one of the great musical episodes in the history of television on Buffy, so this is a great, if unexpected, fit. I’m thrilled he’ll be loaning us his fantastic groundbreaking talent.” Most recently, the benevolent Whedon bestowed upon the world the online musical sensation Dr. Horrible’s Sing-Along Blog, which garnered him a win this year in the Emmy’s newest category, Short-Form Live-Action Entertainment Program.

Joss is also no stranger to guest-directing hit shows. He ably helmed The Office episode “Business School” in its third season and says the man himself, “A television director’s job is, on some level, to be anonymous; to find the most compelling way to present a story without calling attention to himself. I had a wonderful time doing just that on The Office, and hope to again. A guest director can bring a huge amount to the party (we’ve had CRAZY talent on Dollhouse), but the party isn’t his. I just want to work with good people on a show that I like enough to have watched every episode several times.”

Lea Michele and Jonathan Groff on stage in Spring AwakeningIn other Glee guest talent news, lead Lea Michele will soon be reunited with her “Spring Awakening” co-star Jonathan Groff. The Broadway star will reportedly be on the show for about five or six episodes as the lead male singer of rival show choir Vocal Adrenaline, the group seen in the pilot episode performing “Rehab,” and will serve as a potential love interest for Michele’s glee club queen Rachel Berry. Creator Murphy describes the character as, “A male diva…a miva.”

Murphy also revealed that the cast of Glee will be going on tour next summer, not surprising given that the series’ music has exploded on iTunes with a full soundtrack set to drop November 3rd (full track listing).

Fall Premieres – Of Glampires and Ghosties

Tonight the fifth network presents a too-obviously-themed two-hour block of otherworldliness with the return of Supernatural and the unveiling of The Vampire Diaries. Finding myself at a crossroads – one being the road I’ve been traveling down, with a pre-disposition to avoid most things on The CW; the other being one that leads me towards a natural attraction to stories involving spooks, spectres and all things supernatural, particularly ones having the creative talent with a resume that includes working alongside Joss Whedon – this one-two punch seems tailor-made for me to enjoy. Unfortunately I’m at a loss in my commitment to either offering served up for my viewing pleasure, especially on Thursdays, a night that already has a number of contenders vying for coveted DVR space.

The Vampire Diaries, Thursdays on The CWThe Vampire Diaries will grace the small screen for the first time with the hopes to lure those who can’t get enough of glamourous, gorgeous creatures of the night…or rather the not-direct-sunlight. Taking a cue from the popularity in adapting young adult novels featuring beautiful, blood-sucking fiends, Vampire Diaries is based on a series of books first published in the early-’90s. The premise (small-town girl in a love triangle with two brothers) reads very similar to any number of teen dramas so it’s fitting that Dawson’s Creek creator Kevin Williamson is at the helm of this sexy sudser. Being a Creek geek back in the day (although my attention waned in the latter part of the series) I enjoy the idea of Dawson with fangs, but also having a high bar set from other well-played, vampire-centric TV I’ll need more than just a little sexual tension (which I’ll consider chaste in comparison to anything-goes-on-HBO True Blood) and teen angst to retain my viewership.

SupernaturalWith Supernatural, I’ve already got a big handicap to overcome: not having kept up with the previous four seasons worth of exploits from the (hot!) demon- and all-other-manner-of-evil-hunting Winchester brothers. Not wanting to completely discard a show that sees frequent episodes written by the amazing Ben Edlund (he behind one of the single best hours of television ever with Angel‘s fifth season puppet-filled masterpiece “Smile Time”), all seasons are sitting at a comfortable place on the queue, but after reading the synopsis for the latest season’s opener, “Sympathy for the Devil,” intrigue might get the better of me and they’ll quickly be moved to the top. While the first couple of years concentrated more on monster-of-the-week stories, a canny creative took the reins mid-way through and started to really develop a strong mythology, which any genre aficionado will attest is the backbone of these types of series.

SET YOUR DVRs

  • 8/7c The Vampire Diaries, The CW (series premiere)
  • 9/8cSupernatural, The CW

In Whedon We Trust

DollhouseDollhouse is showing  more geek-love today with an official announcement that another from the Joss Whedon staple of actors will be joining his Fox show for its second season. Summer Glau, recently seen on Fox’s now-cancelled series The Sarah Connor Chronicles and most well-known for Whedon’s Firefly series and its film sequel Serenity, will have a recurring role opposite lead and Whedon darling Eliza Dushku for an as-yet unknown number of episodes. This news follows on the heels of other geekified additions in Jamie Bamber and Michael Hogan (teaming up with their old Battlestar Galactica co-star Tahmoh Pennikett) as well as Joss alum Alexis Denisof.

Being a staunch supporter of all Whedon works, I championed Dollhouse from the beginning even though it took a few episodes to completely hook me, but the show really started to find its voice midway through and provided an excellent payoff with its season finale which was one of the best hours of television this year, and if Fox had seen fit to air what was originally penned as the last episode of the season, “Epitaph One,” then I would be so bold to proclaim it one of the best season finales ever.

Referred to as the “lost” episode, I was one of the lucky attendees at Comic-Con to attend a screening of “Epitaph One” before its wide release with the season 1 DVD set last month (which has since hit number one on iTunes) and am now imploring all to move it up their viewing queue. Very much like Buffy the Vampire Slayer, the first season had its share of hit-or-miss episodes but ended on a stellar note and, when folding in “EO” as a part of that end, provided an amazing amount of plot possibilities for its season(s?) to come.

Dollhouse Season 2 premieres Friday, September 25th 9pm eastern/8pm central on Fox. Season 1 DVD now available.

Joss & his Dollhouse leads