Tag: Alec Baldwin

Repeat Doldrums, or How I Spent My Holiday Vacation Evaluating 2009 and Sizing Up 2010 – NBC

Hello again gentlereaders. No, I didn’t forget about you these past two months, please blame my absence on the most hectic (wonderful?) time of the year. Now that the holiday season has passed, including the glut of repeats that come with it, I am back and focused as ever to comment, critique and celebrate the best of what’s to come in 2010 television. The musings are too much so I must make this a multi-part post.

MAKE ‘EM LAUGH

I’ve made no secret of the insane amount of love I have for comedies, particularly the perfectly programmed 2-hour block on NBC’s Thursday night. While the Peacock appears to be making all the wrong moves in late night (the incomparable Conan in limbo and bland Leno is back, no words) they’ve at least made impeccable choices when it comes to scheduling the primetime funny this season.

Vets The Office and 30 Rock had some of their strongest episodes of their series’ histories – Jim & Pam’s wedding will go down in the annals of TV moments and “Dealbreakers Talk Show No. 0001″ not only gave us crazy Performer Liz who forgot how to wave like a person, we were treated to how HD alters the Rockers – Kenneth is a Muppet and Jack a young Alec Baldwin, classic.

Parks & Recreation became so enjoyable as its second season progressed that I found myself not just choosing it first among my DVR viewing selections the next day but actually watching it in real time! And even though newbie Community had some ups and downs, its ups (Senor Chang’s always quotable lines – “Hasta luego! Come on, hands 90% of spanish!”) far outweighed the downs.

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New episodes of all CNDR shows return this week, save for The Office (which is open for business again January 21st) but with an extra 30 Rock there’s no complaint from this Fey-natic, and we’ve got guest stars galore – Jack Black wandering around the Greendale campus on Community, Will Arnett romancing real-life wife Amy Poehler on P&R and James Franco stopping by as “himself” for an arranged celebrilationship with Jenna on 30 Rock.

Reminisce and Revisit: Greatest 30 Rock Series Moment

"I only act out 'cause I want your love. DY-NO-MITE!"

Lady, just because I’m an ignorant black man and you paid me a nickel to bust up your chiffarobe doesn’t give you the right to call me ridiculous just ’cause I’m proud of my son.”

I’m no linguist, logophile whathaveyou, but many times while watching comedies just a single word in a joke will create a reaction so strong it affects me for long after the moment has ended. Such is the case with “chiffarobe.” Those who watched this week’s Family Guy will remember it as one of many words used in the extended “you know a person is old when they use this to mean this” gag at the end of last night’s episode “Brian’s Got a Brand New Bag.”

While the Family Guy joke was probably the best in that particular episode, hearing “chiffarobe” evoked a memory from when this word was used as an even better comedic device in a scene from the second season episode of 30 Rock “Rosemary’s Baby,” a scene that I believe to be the best in the series’ still-in-process history. Not only is Alec Baldwin’s sizeable talent on full display playing five(!) characters within a character (which was undoubtedly the reason he nabbed a second straight Emmy win for Best Actor in a Comedy that year) but the fact that the 30 Rock writing team crafted both a Good Times and a To Kill a Mockingbird reference all in two and a half minutes is staggeringly amazing.

And for your viewing pleasure…

2009 61st Annual Primetime Emmy Winners

61st Primetime Emmy(R) AwardsOh, awards shows. You and I need to have a serious discussion because I can’t stand being the submissive in this kinky little relationship of ours anymore. Finding myself continually coming back to you each time with a deluded excitement that maybe this will be the year you surprise and thrill me, and after half an hour I cannot stay glued to my seat. Yet I stick with you to the bitter end, bad taste in my mouth with a sense of “meh” and “well, I could’ve just checked the IMDb live winner update feed.”

While this seems a backlash of a post, please read as a request for awards telecasts to step up the entertainment and for the various academies to change up the voting habits – not that I don’t love my 30 Rock or Mad Men (congrats to wins not only for best show in their respective categories, but writing too!) – because sitting through 3 hours of “announce list of nominees, open envelope, read winner, not-amusing-nor-poignant acceptance speech, rinse, repeat” gets a little taxing and I think more of us would welcome some upsets, blunders and outbursts once in awhile.

Tonight’s major category winners:

Drama Series: “Mad Men,” AMC

Comedy Series: “30 Rock,” NBC

Actor, Drama Series: Bryan Cranston, “Breaking Bad,” AMC

Actress, Drama Series: Glenn Close, “Damages,” FX Networks

Actor, Comedy Series: Alec Baldwin, “30 Rock,” NBC

Actress, Comedy Series: Toni Collette, “United States of Tara,” Showtime

Supporting Actor, Drama Series: Michael Emerson, “Lost,” ABC.

Supporting Actress, Drama Series: Cherry Jones, “24,” Fox.

Supporting Actor, Comedy Series: Jon Cryer, “Two and a Half Men,” CBS.

Supporting Actress, Comedy Series: Kristin Chenoweth, “Pushing Daisies,” ABC.

Miniseries: “Little Dorrit” PBS.

Made-for-TV Movie: “Grey Gardens,” HBO.

Actor, Miniseries or Movie: Brendan Gleeson, “Into the Storm,” HBO.

Actress, Miniseries or Movie: Jessica Lange, “Grey Gardens,” HBO.

Supporting Actor, Miniseries or Movie: Ken Howard, “Grey Gardens,” HBO.

Supporting Actress, Miniseries or Movie: Shohreh Aghdashloo, “House of Saddam,” HBO.

Directing for a Comedy Series: “The Office: Stress Relief,” Jeff Blitz, NBC.

Directing for a Drama Series: “ER: And in the End,” Rod Holcomb, NBC.

Directing for a Variety, Music, or Comedy Series: “American Idol: Show 833 (The Final Three),” Bruce Gowers, Fox.

Directing for a Miniseries, Movie, or Dramatic Special: “Little Dorrit: Part 1,” Dearbhla Walsh, PBS.

Variety, Music, or Comedy Series: “The Daily Show With Jon Stewart,” Comedy Central.

Reality-Competition Program: “The Amazing Race,” CBS.

Writing for a Comedy Series: “30 Rock: Reunion,” Matt Hubbard, NBC.

Writing for a Drama Series: “Mad Men: Meditations in an Emergency,” Kater Gordon and Matthew Weiner, AMC.

Writing for a Variety, Music, or Comedy Series: “The Daily Show With Jon Stewart,” Comedy Central.

Writing for a Miniseries, Movie, or Dramatic Special: “Little Dorrit,” Andrew Davies, PBS.

Host, Reality or Reality-Competition Program: Jeff Probst, “Survivor,” CBS.

Original Music and Lyrics: “81st Annual Academy Awards: Song Title: Hugh Jackman Opening Number,” ABC.

Bryan Fuller: Back from the Dead

Bryan Fuller, creator/producer of top-notch now-defunct series Pushing Daisies, Dead Like Me and Wonderfalls, will be teaming with Bryan Singer (director of X-Men and Usual Suspects, and exec producer of FOX series House) to adapt the Augusten Burroughs novel “Sellevision,” whose previous memoir “Running With Scissors” was turned into a feature helmed by Glee and Nip/Tuck creator Ryan Murphy and starred Alec Baldwin.

The hourlong comedy-drama for NBC will revolve around the inner workings at a fictional home shopping channel. Being a world rich with great metaphors of consumerism, buying happiness and chasing material things, Fuller stresses the show won’t satirize the home-shopping genre itself but instead will be a more grounded take on that sphere through the eyes of one player in it.

Fuller also has a second script — his first stab at a half-hour comedy — in the works at the Peacock. No Kill is a workplace laffer set inside a no-kill animal shelter. Fuller, a self-described “animal lover,” believes that there is humor in people who identify more with animals than other humans, and that his show will be a comedy about “becoming human.”

In between these two scripts, Fuller is still working on a comicbook adaptation of his late ABC series Pushing Daisies, and remains hopeful that the 12 issues of the comicbook will eventually serve as a blueprint for a Pushing Daisies movie.